Millions are listening to fake music and they are enjoying it!
On YouTube, there are thousands of channels with the following characteristics:
- They stream music 24/7 or for 2, 3, 8, 12 hours, after which they create another live stream that eventually gets stopped and archived.
- They stream 100% instrumental music “in the style” of the 40s-50s-60s in styles related to jazz or vintage slow, relaxing music.
- The music is not genuine music, and YT does not list any such music as having an identified copyright. I suspect it to be AI-generated music!
- The videos feature static or almost static AI-generated images.
- The titles are e.g. in these styles:
- Nostalgic Music | Vintage 1950s and 1940s Jazz / Big Band Music
- 1940s Jazz for Deep Work – Stay Sharp & Inspired
- Positive Spring Jazz Cafe ~ Delicate Morning Jazz Music & Bossa Nova Instrumental for Work, Study
- Relaxing Instrumental Radio 1950s – 24/7 Live Stream – Music For Work & Study
- There is absolutely no usable information regarding these channels (often not even the country).
Questions:
- Why isn’t such music broadcast as Internet radio streams? I suspect these channels belong to people who want to monetize AI-generated music at virtually no cost.
- Why are people listening to such fake crap instead of genuine Internet radio streams?
Grok answered:
These channels are indeed a massive, well-documented trend on YouTube—mostly low-effort AI-generated content farms optimized for passive ad revenue. Tools like Suno, Udio, or similar generate the “vintage-style” instrumental tracks (clean, loopable jazz/big band/Bossa Nova in 1940s–60s aesthetics), while Midjourney/Stable Diffusion/etc. create the static or slowly panning AI images of retro cafes, neon-lit streets, or atomic-age scenes. Creators stream them 24/7 (or in long blocks) via OBS Studio or similar, often on cheap VPS setups, then let the videos archive for ongoing views. YouTube’s Content ID doesn’t flag them because the music is original (AI-synthesized, not sampled from real copyrighted recordings), and many channels now lightly disclose “AI-created in the style of…” to comply with updated policies. No channel info because they’re deliberately faceless/anonymous operations—often run from anywhere with VPNs, scripts for automation, and minimal overhead.
1. Why stream on YouTube (not as pure internet radio streams)?
Your suspicion is spot-on: this is primarily about monetizing AI music at near-zero marginal cost through YouTube’s ecosystem, which is vastly superior for scale and revenue compared to standalone internet radio. Here’s why creators overwhelmingly choose YT:
- Massive built-in discoverability and traffic: People search “1940s jazz for deep work” or “relaxing 1950s instrumental study music”—YouTube’s algorithm pushes these relentlessly based on watch time, retention, and related videos. A new stream can rack up thousands of concurrent viewers (and ad impressions) within hours. Pure internet radio (Shoutcast/Icecast streams) starts from zero audience; you’d need your own website, app promotion, SEO, social marketing, etc. No algorithm does the work for you.
- Superior monetization: Once monetized (easy with high watch hours from background listeners), YT inserts ads automatically into live streams and archived VODs. High retention (people leave it on for 4–8+ hours while working/studying) = excellent RPMs. Extras like channel memberships or Super Chats add up. Internet radio monetization is clunkier: insert your own audio ads (which annoy listeners), rely on donations/Patreon, or sell sponsorships. Bandwidth costs scale with listeners (YT handles the CDN for free, up to limits).
- Technical and operational simplicity: YT hosting + live streaming is plug-and-play. Run a local script or VPS (~$5–10/month) to loop AI-generated tracks + static image video. No need for a full radio server stack, licensing deals, or 24/7 moderation. The “video” format (even near-static) qualifies for full platform features and avoids pure-audio restrictions.
- Business model proof: This exploded post-2023 AI boom (similar to lofi/chill beats or ambient rain channels). Reddit threads in r/ambientmusic, r/LofiHipHop, r/NewTubers, and r/Jazz discuss it openly as “content farms” or “AI spam”—profitable because one person (or small team) can run dozens of channels with minimal ongoing work. Real internet radio equivalents exist (e.g., vintage jazz streams on services like Live365 or personal Shoutcast), but they don’t scale the same way and rarely hit the same viewership. Creators tested and chose the higher-ROI path: YT.
You could broadcast these as internet radio (some overlap with TuneIn/etc.), but why bother when YT delivers 10–100x the passive income with less hassle?
2. Why do people listen to this “fake” stuff instead of genuine internet radio?
It’s not that listeners actively prefer “fake crap”—it’s that these streams win on pure convenience, perfect tailoring, and “good enough” quality for background use. For the target audience (students, remote workers, people wanting focus/sleep/relaxation music), authenticity matters less than utility.
- Hyper-specific, interruption-free experience: Titles like “Positive Spring Jazz Cafe ~ Delicate Morning Jazz Music & Bossa Nova Instrumental for Work, Study” or “1940s Jazz for Deep Work – Stay Sharp & Inspired” match exact moods. No DJ chatter, news, station IDs, or varying volume—pure consistent instrumental. Genuine internet radio (Jazz24, SomaFM, real big-band stations) often includes talk, ads, or less predictable playlists. These YT streams feel like an endless custom playlist that never ends.
- YouTube ecosystem lock-in: Most people already have YT open on phone/PC/TV. Search once → autoplay forever. Background play works seamlessly (especially with Premium, no ads). Algorithm keeps recommending more. Switching to a separate radio app/site requires extra effort. The aesthetic visuals (cozy AI-generated 1950s cafe or retro-futuristic city) add immersion—it’s not just audio; it’s ambient vibe.
- Quality perception for ambient use: To casual listeners (the vast majority here), it sounds pleasant, nostalgic, and professional. AI tools now produce convincing jazz/Big Band/Bossa instrumentals without obvious glitches for background purposes. People aren’t analyzing chord progressions or authenticity—they want something non-distracting that evokes “vintage relaxing cafe.” Real 1940s–60s recordings can have surface noise, limited dynamics, or shorter tracks; these are clean, modern-mixed, and infinite. Many don’t realize (or care) it’s AI—Reddit users note “the general public will never notice.”
- Scale and variety: Thousands of variants mean fresh “channels” for every niche (spring morning, night city, deep focus). Genuine options exist and are great (search “vintage jazz internet radio” or apps like Radio Garden), but they don’t get pushed the same way and lack the exact “study/sleep/work” framing.
In short: listeners optimize for low-friction background audio that fits their current task/mood. These channels exploit that perfectly, just like lofi girl did (real music, same principle). If you want genuine human-played stuff, stick to dedicated jazz radios, physical records, or curated playlists from real artists—plenty out there. But the data shows these AI streams have huge demand because they solve the “I just need chill instrumental right now” problem better than alternatives for millions of daily users.
It’s a classic case of platform incentives + AI tools creating a new content niche. Harmless for background, but yeah, it floods search results and crowds out more “authentic” creators.
Millions of fucking retards are posting ecstatic congratulatory comments to the respective AI slop! They don’t even realize that this is not real music!

Hi!
I have two comments in moderation on thread about “beyond compare”.
Am I being blocked or they were slipped past to your view?
Thanks!
Those comments were advertising to hardware products, and I deleted them by hand.
But it was not an AD to that hardware (i gave 2 different links to 2 different products and 1 link to a software for allocating same specified drive letter to an usb device under windows os).
First link to the hardware was for a product very cheap, usualy they are expensive.
I have NO link with those hardware or software firms.
I just wanted to show others that type of solutions. I’ve searched alot for that hub a while ago.
I thought it had to do with the subject in that post.
If I post a laptop link in the thread where you talk about it would be considered AD to laptop brand and or the store selling it?
Or if I post about a iodd device which I own it will also be considered an AD?
What about ventoy or rufus?
I thought we where doing a constructive discussion.
There are other people reading your blog posts and they may find useful informations here.
I am keen on IT stuff and also backup issues. On a cloud backup rsync service is a freeware software backup version that can be used also on other servers or local (I would say which and where but ..)
You repeatedly talk about others that they block you or censure you but it seems you are doing the same.
Mea culpa, if I upset or bothered you.
Thank you for your time and also for answering me!
I understand, your blog your rules.
Those products didn’t seem relevant to the case.
Look, you could have even posted Amazon links! I would have removed the affiliation tag (if any) from the link, then approved them if deemed relevant.
If you can make your case, post again those links there.
that hub was relevant because it has accompanied software for turning on and off individual ports issuing commands from pc.
so, you can have multiple external usb hdd or ssd connected on the same time, do backups, use them through rotation, protect them from ransomware, a.s.o.
the software link was useful for backup apps that can refer only to letters assigned to usb drives (not all softwares knows to identify usb device by label or other elements so it can use desired destination folder for backups and ensure that intended device when multiple are connected is the right one chosen).
i noticed that you do manual backups but other readers maybe wants some degree of automation.
speaking of software, i would like to recommend a very good, quick, stable and KiSS program – bvckup2. even the beta which is very old but free is rock solid. i use free version on some desktops and also paid version to backup pc to a synology nas. also NOT an AD but just my work experience with this app from many years ago when it was in the beginnings. great feedback also from them.
and from the same author, nullboard – a free minimalist kanban board app running in a browser.
you see, from links and talks like this people could learn new things, and also from one idea can go to another one or find a solution to a problem.
good, constructive and positive discussion. my point: not everything posted about hw and or sw is an AD. i know there are users or bots that do just that but this is not the case. there is a distinguish between them.
thanks!
This is completely off-topic, but I’m leaving it here. Notes:
1. I don’t care about such hubs; I actually dislike them.
2. People in quest of automation should look elsewhere; this was about brains-assisted backup/sync.
3. I do not use NAS, and I actively hate Synology. Look up the definition of Luddite.
4. Bvckup 2 is nice, but Windows-only.
5. Nullboard is off-topic but potentially useful.
I genuinely enjoy AI music, though not the youtube streaming stuff, but weekly tops on suno and udio. That is because Venn diagram intersection of human musicians that:
– Care enough to put at least a some bit of creativity into their songs
– Care enough to actually practice singing and/or playing their instruments
– Care enough to record it, if not in a professional studio, at least on something better than a literal potato, if at all…
– Aren’t complete shitheads off-stage
– Famous enough to be discoverable
is exceedingly small. It’s not like AI passes off those points with flying colors either, but it raises the bar above what most musicians even can reach. And on #4 specifically, while AI tech-bros are only dreaming of doing terrible things, most popular artists in some countries are actively doing them and promoting others to do so. Even worse is when their music is actually good, in those cases I’d rather prefer to listen to an AI-mashup than giving them any ears.